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It’s been four years since we last heard from our favorite fast-talking, electro-funk, party-jams beat-maker Adam Dorn a.k.a. Mocean Worker. Since then tough economics have turned tougher, smug indie bands have become smugger and raving mad religious fanatics have grown, well, raving madder. What the world could use in these troubling times is some good ol' fashioned, happy days are here again, get up on the good foot grooves. Mocean Worker has built a reputation for exactly that over a ten-year plus career as a recording artist, songwriter, remixer, DJ, bassist and more. He returns made to order with his sixth studio album, Candygram For Mowo!
From the opening salvo of the record’s first track "Shooby Shooby Do Yah!" in which 1930s big band horns are met by the syncopated rattle of a tambourine, it's apparent that the Mocean Worker feel-good brand is intact. Joined by a divers cast of special guests, including Lyrics Born, Mindy Abair, Bill Frisell, Charlie Hunter, John Ellis, Hal Willner and Rahsaan Roland Kirk, Mowo! brings the funk in all manner of delectable shapes and sizes. He crosses swing era rave-ups with ‘70s rare groove ("Do Like Ya Like"), Les McCann meets Marvin Gaye-flavored house party, soul jazz ("Sistas & Bruthas"), North Cali hip-hop with ‘50s hard bop ("My Own Little World") and injects deep house with Nuyorican rhythms ("Out There In The Random"). In all instances, the beats are sublime, the hooks irresistible and the attitude always cheeky. Mocean Worker's signature sound—the one you've heard in countless movies, television shows and commercials over the last ten years—remains decidedly of the moment and undeniably infectious. Also of note, Candygram For Mowo!'s closing vignette "JD," is a tribute to Dorn's dad, the visionary record producer Joel Dorn, who passed away in 2007. In Mocean Worker's own words, "These ain't good times, so why not have something that makes us feel good?" |

